.Exhibited
Jaime Sabinas Cultural Center,
Tuxla Chiapas Mexico. 10-08-09
National Mexican Museum of ART, Chicago Ill. 02-28-10
The Red Poppy Art House, Street projection. 04-03-10
Artist Statement
My current body of work continues to focus on
the “HOME” as a theatrical stage in the creation of
mythical images as a way of understanding reality. It focuses on
the ritualistic aspects of theater along with public intervention
and arts education within community building. The creation of portable
platforms as social sculpture, by way of community collaborations,
has become the focal point of my “object making” practice.
These sculptural platforms become a site for symbolic community
actions that address issues like global migration, urban sprawl,
and temporary sanctuaries as social protection for refugee and displaced
populations.
As opposed to creating a theatrical stage within
a gallery or museum in which the drawn figure inhabits the space,
I am instead now creating a theatrical situation within communities
of struggle where the actual figures begin to create and occupy
their own sculptural objects. In this way, the acknowledgment of
suffering and joy is "acted out" within events of community
gatherings. This approach to art making seeks to integrate all art
forms into one practice, celebrating poetic interpretations of tragedy
and transforming them into social healing opportunities rather than
for political demonstrations and public protest. Within this art
practice, process and production are celebrated equally in a web
network of artist, educators, and social entrepreneurs while integrated
with oral history practices for cultural creation, celebration and
preservation.
Project Description
Caleb Duarte’s per-formative video installation
focuses on community collaborations created with recent immigrants
from the rural areas of the state of Chiapas Mexico that are now
recently working and residing in California. These collaborative
performances are in conjunction with community performances created
in El Pital, Honduras, The Red Poppy Art House San Francisco, and
individual performances created in the deserts of California. Casas
Voladoras documents and performs the movement of monuments, which
provide symbolic public protection to clandestine communities of
struggle. These video performances illustrate the issues of global
migration, globalization, displacement and forced migration along
with ideas of home and place within the changing global political
and economic structures. These performances also documents our existential
nature in finding place, meaning, a sense of home and purpose both
in collective forms and as individual obsession.
Casas voladoras is in part based on the “New Sanctuary Movement,”
re-created in the early 1980s where undocumented workers found refuge
and protection with in different religious temples from deportation
in the United States. This project examines the ideas of a moving
sanctuary as social protection as well as questions the ideas behind
monuments and their intended role in today’s contemporary
societies. Casitas Voladoras is also a form of documenting the current
“Underground Railroad” forming in Mexico that protects
Central American immigrants from Mexican Authorities while making
their way North.
The culminating work involving installations and
performances in Honduras and San Francisco has been presented at
the Yerba Buena Center for the arts, The Mission Cultural Center,
The Red Poppy Art House MAPP, and is scheduled to be exhibited in
Tuxla Chiapas Mexico and at the National Mexican Museum in Chicago.
Oral history
The use of Oral History supports the idea that
documentation of intimate conversations alongside creative action
as well as story telling through resulting anecdotes and contemplative
interactions is vital in understanding the constructs within which
we live. Through out the project, interviews and conversation will
be documented to be projected along side the collaborative final
performance.
Seeking Partnership and Support
The Red Poppy Art House invites you to become
a part of “Casitas Voladoras” by investing in the Voladora
Fund. Thus far, the project has been developed without institutional
or private financial backing. At this juncture, “Casitas Voladores”
seeks the support of arts organizations and individuals to sponsor
recent immigrants from Chiapas, Mexico in a one-week intensive workshop
using art and performance, ritual and moving theater for empowerment
in telling our own stories.
Project expenses include: One-week room and board,
transportation, compensation for participating undocumented immigrants,
workshops on oral histories-story telling for video documentation,
materials, and collaborative sculptural performances for video documentation.
Tax Deductible
We need your support! If you would like to make a
monetary donation of any amount, checks are the best form of payment.
Make all checks payable to "Intersection for the Arts"
with "Red Poppy Art House" in the memo line.
Mail checks to us at: Red Poppy Art House/Casas Voladoras,
2698 Folsom Street, San Francisco, CA 94110.
You can also donate online at www.theintersection.org.
Please write in "Red Poppy Art House" in the box next
to "Intersection Incubator donors only" under "Name
of Recipient Project" or we won't get the money.

**Please send us an email when you make a donation
so that we can include you in our list of sponsers. Send to: caleb@calebduarte.com
Our growing list of sponsers of joint commisions
of individuals and Organizations
Iris Biblowitz, Fran Taylor, Linette Martinez,
Mia Eve Rollow, Todd Brown,
Francisco and Josue Duarte, Rachel McIntire
Red Poppy Art House
www.redpoppyarthouse.org
Break Arts www.breakarts.org
Rev- www.rev-it.org
Priya Mohan with Sangha Wellness Foundation
For more information, visit: . . . . .
www.redpoppyarthouse.org |